Syl Johnson Net Worth is$6 Million
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Nicknames: Sly Johnson, Sylvester Thompson, Johnson, Syl

Ethnicity: African American

Syl Johnson net worth: Syl Johnson is an American soul singer and producer with a net worth of $6 million. Syl Johnson acquired his worth from a lifelong musical career producing a string of hits in the 1960s and 1970s. Before becoming a solo artist, Mississippi-born Johnson sang with blues heavyweights such as Magic Sam (who was a neighbour when Johnson and his family moved to Chicago), Billy Boy Arnold, Junior Wells and Howlin' Wolf. After recording with blues musician Jimmy Reed (for Vee-Jay Records), Johnson embarked on a solo career, signing to Twinight Records in the mid-1960s. In no time, Johnson produced hits, Come On Stock it to Me (1967), Different Strokes (1967) and Because I'm Black (which peaked at number 11 on the R&B Billboard chart in 1969). At the start of the 1970s, Johnson switched to Hi Records and continued to churn out hits, We Did It and Back for the Taste of your Love. His biggest hit, Take Me to the River, peaked at number 7 on the R&B chart in 1975. His last hit was Ms Fine Brown Frame in 1982. Since then, Johnson has opened a fast food restaurant as well as making occasional appearances at blues gigs.
Syl Johnson (born July 1, 1936) is an American blues and soul singer and record producer.
Born Sylvester Thompson in Holly Springs, Mississippi, United States, he migrated with his family to Chicago in 1950; blues guitarist Magic Sam was his next-door neighbor. Johnson sang and played with blues artists Magic Sam, Billy Boy Arnold, Junior Wells and Howlin' Wolf in the 1950s, before recording with Jimmy Reed for Vee-Jay in 1959. He made his solo debut that same year with Federal, a subsidiary of King Records of Cincinnati, backed by Freddie King on guitar.
He then began recording for Twinight Records of Chicago in the mid 1960s. Beginning with his first hit, "Come On Sock It to Me" in 1967, Johnson dominated the label as both a hitmaker and producer. His song "Different Strokes", also from 1967, featured on the Ultimate Breaks and Beats breakbeat compilation.
Like other black songwriters of the period, several of his records at this time explored themes of African-American identity and social problems in songs including "Is It Because I'm Black", which reached Number 11 in the US Billboard R&B chart in 1969.
In 1971, Willie Mitchell brought Johnson to Hi Records, the two recording three albums which spawned a number of singles. Produced in Memphis with the Hi house band, these yielded the hits "We Did It", "Back for a Taste of Your Love" and "Take Me to the River", his biggest success, reaching Number 7 on the R&B chart in 1975. However, at Hi Records, Johnson was always to some extent in Al Green's shadow commercially, if not artistically. Mitchell also chose to use mainly in-house material rather than Johnson originals.[citation needed]
After the Hi years ended, Johnson produced two LPs for his own Shama label, the latter of which (Ms. Fine Brown Frame, 1982) was picked up for distribution by Boardwalk Records and produced Johnson's last hit record, the title cut.
Around the mid-1980s, Johnson started a fast-food fish restaurant business, and beca

Syl Johnson Latest News

Syl Johnson On His Two Grammy Noms: 'Should Have Been Three -- Kanye and Jay-Z Sampled Me'

Syl Johnson playing at London's Barbican in 2005 (Photo: T abatha Fireman/Redferns) One would think an underappreciated soul music legend like Syl Johnson would be elated by his two recent Grammy Award nominations for Best Historical Album and Best Liner ...
Posted: December 15, 2011, 12:56 am

Judge Tosses “Juice” Copyright Infringement Lawsuit Against Eric B & Rakim

(AllHipHop News) Hip-Hop group Eric B. and Rakim and Universal Music Group have emerged victorious in a copyright infringement/forgery lawsuit lodged by soul musician Syl Johnson. Syl Johnson filed a lawsuit against the group in May of 2015, claiming they ...
Posted: January 10, 2017, 11:42 pm

'Syl Johnson: Any Way The Wind Blows': Film Review

Blame Al Green. If not for the unstoppable sex appeal of Mr. Let's Stay Together, Hi Records would have made singer Syl Johnson a star instead. Or so says he in Syl Johnson: Any Way the Wind Blows, Rob Hatch-Miller's very enjoyable portrait of a singer who ...
Posted: October 22, 2015, 12:27 pm

Billy Branch Works Hard to Keep the Blues Alive

You even worked with Syl Johnson. Sly Johnson, Lou Rawls… I’m on close to 300 recordings at this point. But yeah; Son Seals, Lonnie Brooks, Eddie Clearwater, Willie Dixon, Eddie Shaw… Most folks don’t run into that much talent in a lifetime ...
Posted: August 17, 2017, 7:56 am

Summer Music Fest closes season with set from Robinson

With harmonica chops schooled by Little Walter, Sonny Boy Williamson, Junior Wells and James Cotton, among many, and vocals that compare to Otis Redding, Syl Johnson, All Green and Teddy Pendergrass, Robinson, according to Downbeat Magazine, “places near ...
Posted: August 14, 2017, 1:00 am
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